Get Low's been asked to showcase at the biggest underground clubnight in Birmingham, Seedy Sonics!
Seedy Sonics put on enormous sell-out events to a huge dedicated fan-base and seem to be growing in influence with every week that goes by. Their warehouse parties are legendary.
It's an honour (and a Seedy Seal of Approval) to be invited, and we sure hope to be working with them more in the future.
I've been pouring over music and distilling the very best for what should be a very special set. Hold tight gang, this one's gonna be a big one.
If you know about bass heavy London events, you know about Basslaced. Since expanding to London they've brought line-up after killer line-up to Cable. This time round they're bringing
DJ EZ was a clear winner at the Urban Nerds 4th Birthday, blowing the dance up to smithereens with unmatchable mixing prowess. He's joined by Girl Unit, producer of arguably the best track of last year 'Wut'. The Others & Subscape will draw for the gun-fingers, bringing fire and repping for Dub Police. One of the most versatile producers in the scene, expect no less from his DJ set as Boabinga show's off his freshest dubs whilst Standfast and Prime Sess round off the room.
We're throwing our own party in Room 2, where we'll be coursing vibes through your veins with a heady intoxication of 'good times on the reg'. Trust us, it's lethal stuff.
I saw Claude VonStroke at BLOC weekend after we dj'd a secret little set there. From this, we were lucky enough to get artist wristbands. We then heard from some friends in production that they were having a problem with the wristbands at the festival as the security were unable to determine one colour from another due to the tinted light of most arenas. How this panned out was that if you had any wristband that wasn't a standard audience colour you could access all areas without limitation.
Naturally, we had a blast.
On the first night I watched Claude VonStroke DJ on the main stage a mere couple of metres away from him at the side of the stage. He did one of the most incredible sets I've ever seen, even dipping into some Drum & Bass halfway through. It was a masterful display of crowd energy control, bringing the enormous audience on a journey to perfectly round off the first night. It had just turned my birthday too, which was a touch.
The next day, we boyed off Aphex Twin and decided to watch DJ Funk instead who was performing at the same time.
We snuck threw the back side entrance to the stage, and pretty much ran slapbang into DJ Funk who literally gave us a hug on sight. His real name is Charles and also happens to be one the nicest blokes ever. He is also a raging nymphomaniac. I did not envy his nervous female artist liaison. Once he was on, the stage manager decides to go to the front of the barrier and let 20 girls onto the stage to dance around the dj booth on stage. It was nuts. Watching from the side, met a cool dude who later introduced himself as Roska. Lovely chap. His brother-in-law Arzy is a gee, and we bowled off to see Laurent Garnier (pretty good) and go back to some random Irish people's flat playing hard techno with an extremely striking looking Irish harijuki girl with pink hair and massive pigtails at either side of her head. She was a bit hard to talk to, mind.
It's that time of the year. Alongside Jimmy Carr's bloated face lurking about on Channel 4 every night counting down the UK's top 100 daytime agony aunts, Get Low Blog is gearing up for a glut of top 10 videos, breakthrough artists, festivals and fruity loop snare samples. Because lets be honest, it's bloody easy.
Apologies for the long list of youtube beds but it's the easiest way for readers to hear our selection of the most exciting tracks of 2010.
GET LOW BLOG'S TOP 10 TRACKS OF 2010
2010 has been a stirling year for Get Low. Alongside festival appearances and established growth into new cities and venues, 2010 has seen us re-consider our approach to electronic music and where we believe the scene is heading. 2009 was the year that Dubstep blew up. Skream sold 400,000 records, Dub Police became a staple monthly event at Fabric, TV commercials and beds were awash with grumbling basslines and it became de rigeur for there to be a dubstep remix on every chart single release, through Katy Perry to The Chelsea Pensioners (probably). It is inevitable that this explosion of interest would create an interesting vortex within a scene that had previously been fiercely insular and independant, funded and supported by its own keen gaggle of supporters, much like D&B was in the mid 90's.
Skream, Benga, Rusko and a handful of others rightly reached for the stars, taking advantage of their natural charisma and pop hooks to penetrate the global conciousness. Major labels invested in Dubstep in a big way, from Magnetic Man through to the True Tiger outfit. Many of Dubstep's original innovators hastily took a step back from the monster they had helped to create. Mala halted his once regular slew of releases, giving us only the admittedly brilliant Return To Space LP in 2010. Loefah moved away from his sour, halfstep style to explore an entirely new scope of sound, mixing 80's inspired 808 rhythmic patterns with grimey, uneasy melodies that sounded like nothing before. His label Swamp 81 shot ahead of the pack to swiftly become the label that embodied this new sound that was once, and possibly still is, Dubstep. Recruiting Headhunter in his new guise as Addison Groove was a genius stroke, aswell as securing Ramadanman's startling new body of work.
The rise of funky and house has seen a new space open up between 130 and 140 bpm, exploited most efficiently by Redlight, formerly DJ Clipz. It is this angle, lazily labelled "future garage" by many, that has seen some of the most innovative and exciting music in 2010, and it is this sound that looks set to be the hip noise of 2011. If Redlight, Jamie XX, James Blake, Dark Sky and the Night Slugs crew continue generating the quality we have seen from them so far then there will be surely be much to look forward to.
Below is our pick of the tunes that have shaped our year.
10. REDLIGHT - STUPID (DIGITAL SOUNDBOY)
This could have been the equally great vocal version featuring the fearsome Roses Gabor, but the original instramental is just simply HARD. 'Stupid' consistently moves dancefloors and is large enough to blast out in 6,000 capacity festival tents, as Skream did at Bestival to devastating effect.
9. ADDISON GROOVE - FOOTCRAB (SWAMP 81)
Both incredibly sparse and delightfully rich, Footcrab ushered in 2010's progressive sound at the same time as marking Swamp 81 as a label with serious intentions to push the letter. Genius.
8. BREACH - FATHERLESS (PTN)
A moody, angst ridden stomper from Ben Westbeach cloaked as the mysterious Breach, 'Fatherless' takes it time to drop but is definitely worth the wait. Like Redlight's 'Stupid', 'Fatherless' explores the murky waters between Dubstep and Tribal House to devastating effect.
7. RAMADANMAN - GLUT (SWAMP 81)
Yet more bassy magic from Swamp 81, with Ramadanman re-inventing himself as a trailblazing producer with a style bang on trend. No idea why this didn't appear on his own Hessle Audio imprint however, I certainly wouldn't have given this banger over to another label.
6. SKREAM - FIELDS OF EMOTION (TEMPA)
The choice cut off the mixed bag that was "Outside The Box", 'Fields of Emotion' is a joyously melodic stomper with references to Silkie's lightness of touch. Superb track.
5. ZINC FEAT MS DYNAMITE - WILE OUT (RINSE)
Nothing new here, but Zinc's low end bassline has proven it has the power to just simply make people move. A cross demographic smash that became huge across House, Funky, Dubstep and Pop, 'Wile Out' was also responsible for re-introducing Ms Dynamite into a scene that was crying out for strong, powerful women figures. We had Ms Dynamite at several Get Low parties throughout 2010 and consistently witnessed her awesome stage presence and popularity amongst girls bored of sweaty Dubstep raves full of gurning lads. Gamechanging stuff.
4. KATY B - KATY ON A MISSION (RINSE)
Alas, another boring choice. However, the importance of this chart destroying Summer anthem cannot be underestimated. Played across the board in the UK and America, 'Katy On A Mission' combined Benga's rolling, muscular dancefloor nous with Katy B's sultry, evocative vocal skills. It is a track that contains all the best elements of Dubstep and Pop music in a way that Magnetic Man's limp "I Need Air" never was and has turned a whole generation of teenagers onto well made Bass music. An unbelievably crucial song.
3. MAN LIKE ME - LONDON TOWN (OURTIME)
A curveball here, but this brilliant ode to London is too good to miss out. Man Like Me have been on the grind for years, never saturating their unique take on pop music, whilst their live shows are consistently magical. A band to be treasured, as their hilarious turn in the recent IKEA advert shows.
2. JAMES BLAKE - CMYK (HOTFLUSH)
As time will no doubt tell, 2011 will be the year that James Blake establishes himself as the credible bridge between Dubstep and chart music. His superb cover of 'Limit to your Love' may have put him on the map as a man that could sing as well as produce, but CMYK was the real showcase of his abilities. Slicing Kelis' RnB gem 'Out There' with Destiny's Child, CMYK is a fragile, weird piece of music that gradually builds into a heartstoppingly beautiful crescendo.*
1. GIRL UNIT - WUT (NIGHTSLUGS)
'WUT' is arguably a boring choice for the Get Low Blog Tune Of The Year, as many other blogs have done the exact same thing. However, Girl Unit has created a track that combines several strokes of genius at once. As-well as introducing us to an exciting new artist on the incediary label 'Night Slugs', 'WUT' gave us a glimpse of where UK Bass music was heading at the same time as reminding us why we fell in love with Dubstep in the first place. In a year where Joker has failed to develop his own take on the sound after a string of awesome tunes in 2009, Girl Unit has filled the void with a synth drenched monster.
*CMYK was the closing song for our set at Outlook Festival.
This blog is written by the founders of the clubnight GET LOW. We like underground music and culture.
From humble beginnings throwing hectic house parties, GET LOW has spread from East Anglia to London leaving a trail of killer rave-ups and throwdowns in it's wake.
GET LOW is run by the Get Low Cartel consisting of Dashiel, Towelie, and Lightning.
We also happen to have hosted Artists and DJs such as:
All audio/video posted on this blog is for promotional use only, and to promote the artists which feature on this blog. By visiting the links provided, you agree that the audio/video posted is for promotional use only, and that you do not own the rights to the audio/video. We do not encourage or support piracy in any way. Being the internet, some of these links/site may contain copyrighted material. If you are the owner of the original recordings and/or the copyright holder, please contact us at getlowclubnight AT gmail DOT com and we'll take down the copyrighted material immediately upon request.
